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| Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
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Here's a thought experiment...pick up a couple of chinese orange crate cellos - for example .. http://cgi.ebay.co.uk/Good-student-cello-nylon-bag-bow-ready-to-play_W0QQitemZ190084840261QQihZ009QQcategoryZ10178QQrdZ1QQcmdZViewItemlossily mount the PHY...
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Yes, yes. This ooops thing is important.
For many years I happily listened to PHY KM30 fullrange in crazy
thin-plywood semi-open baffle boxes. And - apart from loud piano music
- they are really quite terrific. Very communicative and easy to get...
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Thanks Romy, very interesting thread.I've never tried the analogue inputs for the DEQ2496. If I want analogue in (which is rarely) I use a mytek a/d which sounds quite nice (but oneday when I get the time I'm going to modify it with i/p transformers ...
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My string quartet have just spent 6 days recording haydn and being assaulted by nasty Genlecs.
I can assure you that this is NOT what I want my system to sound like.
(Actually I sort of began to see the point of them after a while.. but
that's ano...
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Dear John,
I hope you don't mind me writing directly to you. I've been posting on Romy the
Cat's audio boa...
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I've been thinking abut this question form several angles. Firstly practical.I thought I'd better see what low bass sounds like. And to get some idea of placement possibilities. So I set up my LS3/5as in the (rather cold) un-converted barn. Couldn't ...
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wow. So much to digest here.
Further thoughts.This is where I’m at.
It
seems that I don’t have the space for optimum straight horns exiting directly
onto the listening position as per Romy’s diagram. And besides,...
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Dear Romy and all,
I’ve been lurking here for a few months and - after a sceptical start! - I have found this site an Invaluable Help. Many many thanks to Romy and all involved. My system is now starting to sing and make nice noises for the first ti...
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